Audio samples

  1. John Gay, The Beggar’s Opera, Act 2, air 28: ‘How cruel are the traitors’ (G. F. Handel, ‘Twas when the seas were roaring’, HWV 228/19)

    Sarah Barnes, soprano
    Lucy Hunt, baroque violin
    Ivana Cetkovic, baroque violin
    Tomasz Pokrzywinski, baroque cello
    Žak Ozmo, archlute

  2. Charles Coffey after Thomas Jevon, The Devil to Pay, air 15: ‘Was ever a man possest’ (based on G.F. Handel, ‘No, non temere, o bella’, in Ottone HWV 15)

    Mary Bevan, soprano
    Greg Tassell, tenor
    Ivana Cetkovic, baroque violin
    Emily Baines, recorders
    Ilektra Miliadou, baroque cello
    Žak Ozmo, archlute
    Gert Diederick Victor Dippenaar, harpsichord

  3. Henry Fielding, The Lottery, air 12: ‘Some confounded planet’ (G. F. Handel, ‘Son confusa pastorella’, Porus HWV 28)

    Sarah Barnes, soprano
    Joseph Anthony Timmons, tenor
    Lucy Hunt, baroque violin
    Ivana Cetkovic, baroque violin
    Emily Baines, recorders
    Tomasz Pokrzywinski, baroque cello
    Žak Ozmo, archlute
    Katie De La Matter, harpsichord

  4. Thomas Walker, The Quaker’s Opera, air 5: ‘I’m sure you wrong me’ (H. Purcell, ‘Enfield Common’/Hornpipe from Amphytrion, 1690)

    Mary Bevan, soprano
    Ivana Cetkovic, baroque violin
    Emily Baines, recorders
    Ilektra Miliadou, baroque cello
    Žak Ozmo, archlute
    Gert Diederick Victor Dippenaar, harpsichord

  5. Charles Coffey, Phoebe, or the Beggar’s Wedding, air 6: ‘Of all the girls in our town’ (Traditional dance tune, ‘Coal-Black Joak’)

    Greg Tassell, tenor
    Ivana Cetkovic, baroque violin
    Emily Baines, recorders
    Ilektra Miliadou, baroque cello
    Žak Ozmo, archlute
    Gert Diederick Victor Dippenaar, harpsichord

All editions used for this recording were prepared by Žak Ozmo.


Earl’s Court Baroque
Žak Ozmo, Director
www.zakozmo.com/ECB.htm